Note Frequency Hz Calculator: Convert Any Musical Note to Hz
Convert any musical note from C0 to B9 to its exact frequency in Hz, or reverse-calculate any Hz value to the nearest note. Includes MIDI number, wavelength, period, cents deviation, Web Audio API tone playback, instrument range chart, and a full 120-note reference table with customizable A4 tuning (432, 440, 441, 442, 443 Hz).
Complete Note Frequency Table: C0 to B9 (120 Notes)
| Note | MIDI | Frequency (Hz) | Wavelength (m) | Period (ms) | Play |
|---|
Musical Note Frequencies: Equal Temperament, A440, and the Math Behind Every Pitch
Every musical note you hear, from the lowest C on a grand piano at 16.35 Hz to the whistle of a piccolo above 4,000 Hz, has an exact frequency measured in hertz: cycles per second. In the equal temperament tuning system used by virtually every instrument in American music, those frequencies follow a precise mathematical formula that divides each octave into exactly 12 equal semitone steps. Once you understand this formula, you can calculate the exact Hz of any note on any instrument.
The Formula: How Frequency and Pitch Connect
The fundamental formula for equal temperament pitch calculation comes from the definition that each octave doubles the frequency and that an octave contains 12 equal semitone steps. This means each semitone multiplies frequency by the 12th root of 2, which is approximately 1.05946. The standard formula using MIDI note numbers and A4 as the reference is:
For example, middle C (C4) has MIDI note number 60. Plugging in: f = 440 times 2 to the power of (60 minus 69) divided by 12 = 440 times 2 to the power of negative 0.75 = 440 times 0.5946 = 261.626 Hz. This value is exact for A440 equal temperament and is the value printed in the ANSI / ASA standard for concert pitch. To reverse-calculate: given 261.626 Hz, we solve for n: n = 12 times log base 2 of (261.626 divided by 440) plus 69 = exactly 60. Cents deviation measures how far a measured frequency sits from the nearest theoretical pitch, with one cent equal to one hundredth of a semitone.
Why A440? The History of Concert Pitch in the United States
The A440 standard was formalized internationally by ISO 16 in 1955, following decades of inconsistency. Before standardization, A4 varied from approximately 415 Hz (Baroque pitch, still used by period instrument ensembles) to as high as 460 Hz in some 19th-century orchestras. American orchestras and the US recording industry converged on 440 Hz in the mid-20th century, and it became the universal reference for electronic tuners, piano technicians, guitar manufacturers, and DAW software in the US and most of the world.
Some US orchestras, particularly in New York and Los Angeles, tune to 441 or 442 Hz to achieve what conductors describe as a slightly brighter, more projecting sound. European orchestras often use 442 or 443 Hz. The Berlin Philharmonic historically used 445 Hz. These variations are musically significant enough to require retuning when groups collaborate, which is why this calculator supports the 440-443 Hz range most commonly used in US professional settings. The 432 Hz option is provided for musicians who work in the alternative tuning community, though the scientific evidence for claimed benefits of 432 Hz over 440 Hz is not supported by peer-reviewed acoustics research.
Equal Temperament Versus Just Intonation: Why Keyboard Instruments Compromise
Equal temperament is a mathematical compromise. In the overtone series (the physics of how strings and air columns actually vibrate), a perfect fifth has an exact frequency ratio of 3:2 and a major third has a ratio of 5:4. These are called just intervals, and they sound particularly pure and resonant when singers or string players tune to them by ear. However, building a fixed-pitch instrument (piano, guitar frets, organ) with just intonation in every key is impossible: a piano tuned to pure intervals in C major would be hopelessly out of tune in F# major.
Equal temperament distributes this compromise evenly across all 12 semitones, making every key equally usable (and equally impure). The equal tempered perfect fifth is 1.96 cents narrower than just, barely perceptible to trained ears. The equal tempered major third is 13.69 cents sharp of just, which is audible and is why choirs and barbershop quartets, who do not have fixed pitch instruments, naturally drift slightly toward just intonation on sustained chords. For all digital audio production, DAW programming, synthesizer tuning, and instrument calibration in the US music industry, equal temperament at A440 is the universal standard.
How This Note Frequency Calculator Works for US Musicians, Producers, and Engineers
This tool solves two practical problems: converting a note name to its exact Hz value, and identifying the nearest musical note when you have a measured frequency. Both directions are common in daily US music production work.
Note to Hz: Converting a Pitch Name to Its Exact Frequency
Select a note (C through B), an octave (0 through 9), and optionally adjust the A4 reference. The calculator applies the equal temperament formula and returns the exact frequency in Hz to four decimal places, the MIDI note number for DAW programming, the acoustic wavelength at standard room temperature (343 m/s at 20°C / 68°F), and the wave period in milliseconds. The Play button generates a pure sine wave at that frequency using the Web Audio API, giving you an exact reference tone directly in your browser without any audio files.
Hz to Note: Identifying the Nearest Musical Pitch
Enter any frequency (8 Hz to 22,000 Hz), and the calculator identifies the nearest note in equal temperament and shows the cents deviation: how far your measured frequency sits above or below the ideal pitch. Positive cents means the note is sharp (higher frequency than ideal); negative means flat. Professional instrument tuning targets within 5 cents of zero. This mode is particularly useful for identifying the fundamental frequency of a sound in a DAW spectrum analyzer, checking whether a recorded instrument is in tune without hardware, or verifying synthesizer oscillator calibration.
The Complete 120-Note Reference Table
The full table covers C0 (16.35 Hz, below human hearing threshold) through B9 (15,804.27 Hz, near the upper limit of practical instrument pitch). Each row shows the note name, enharmonic equivalent (such as C# and Db), MIDI number, frequency in Hz, wavelength in meters, wave period in milliseconds, and a play button for instant audio reference. The table is searchable: type a note name (such as “F#4”) or a frequency (such as “440”) to jump directly to that row. Click any row’s play button to hear that frequency instantly.
Note Frequency Reference: Landmark Pitches Every US Musician Should Know
These are the anchor frequencies that define the practical range of US music production, from the sub-bass threshold to the upper limit of standard instrument pitch. All values at A4 = 440 Hz equal temperament.
| Note | MIDI | Hz (A4=440) | Hz (A4=432) | Wavelength (m) | Significance |
|---|---|---|---|---|---|
| C0 | 12 | 16.352 Hz | 16.040 Hz | 20.97 m | Below most human hearing; felt as vibration |
| A0 | 21 | 27.500 Hz | 26.978 Hz | 12.47 m | Lowest note of the standard 88-key piano |
| E1 | 28 | 41.203 Hz | 40.420 Hz | 8.33 m | Lowest string of a 4-string bass guitar (standard tuning) |
| E2 | 40 | 82.407 Hz | 80.840 Hz | 4.16 m | Lowest string of standard guitar; low string of cello |
| C3 | 48 | 130.813 Hz | 128.286 Hz | 2.62 m | Lowest note of tenor voice; middle of bass guitar range |
| C4 | 60 | 261.626 Hz | 256.518 Hz | 1.31 m | Middle C: center of the piano keyboard; most referenced pitch |
| A4 | 69 | 440.000 Hz | 432.000 Hz | 0.780 m | Concert pitch reference; ISO 16 international standard (1955) |
| C5 | 72 | 523.251 Hz | 513.074 Hz | 0.655 m | Soprano middle range; upper limit of typical tenor voice |
| A5 | 81 | 880.000 Hz | 864.000 Hz | 0.390 m | One octave above concert pitch; violin open A string |
| C6 | 84 | 1,046.502 Hz | 1,026.148 Hz | 0.328 m | Upper soprano limit; upper range of lead guitar |
| A6 | 93 | 1,760.000 Hz | 1,728.000 Hz | 0.195 m | High guitar harmonics; upper violin range |
| C8 | 108 | 4,186.009 Hz | 4,108.366 Hz | 0.082 m | Highest note on standard 88-key piano |
| A7 | 105 | 3,520.000 Hz | 3,456.000 Hz | 0.097 m | Upper limit of violin; high piccolo range |
| B9 | 131 | 15,804.266 Hz | 15,503.125 Hz | 0.022 m | Near upper limit of human hearing; highest note in table |
Three Real US Music Production Scenarios Where Note Frequency Knowledge Made a Difference
Tuning a Pedal Steel to Match the Orchestra’s A442 Pitch
A Nashville session producer had a pedal steel guitarist tracking alongside a string section tuned to A442. The steel player’s tuner showed A440. The frequency difference: 442 Hz versus 440 Hz is a deviation of approximately 7.9 cents, noticeable on sustained notes. Using the Hz-to-note mode to verify each string and then calculating the required offset, the steel player retuned every string. The difference between A440 and A442 at the A4 position is exactly 2 Hz, but propagated across the full range of the pedal steel it varies from less than 1 Hz at the low end to over 4 Hz at the high end.
Programming a Synthesizer Oscillator to Track a Specific Film Score Note
An LA film composer needed a synthesizer sub-bass layer locked to C1 (32.703 Hz) for a tension cue. The synth’s oscillator frequency was set in Hz, not note names. The composer used the note-to-Hz mode to get the exact value, set the oscillator to 32.703 Hz, and verified the result with a spectrum analyzer showing the fundamental matching the film orchestra’s cello section. The MIDI note number (24 for C1) let him confirm the mapping to the sampler as well.
Measuring a Singer’s Passaggio and Break Points
A NYC vocal coach used a spectrum analyzer to measure where a young baritone’s voice broke from chest to falsetto. The reading showed the break at approximately 196 Hz. The Hz-to-note mode confirmed this was G3 (196.000 Hz, MIDI 55), well-documented as the typical passaggio (vocal register transition) for a baritone voice. The next session, the coach used the play button to generate a reference tone at G3 and had the student approach the note from below and above to practice the transition on a known frequency.
Six Expert Tips for Using Note Frequency Knowledge in US Music Production
Use Hz Values to Set EQ Notches on Specific Problem Notes
When a guitar resonates with unwanted buildup at a specific pitch (a common problem in dense Nashville productions with multiple guitars), look up the exact frequency of that note. A hollow resonance peaking at 392 Hz? That is G4. A narrow EQ notch centered at 392 Hz removes the problem pitch without affecting surrounding frequencies. This approach is far more surgical than sweeping an EQ band by ear, and it prevents you from accidentally cutting a musically important frequency while hunting for the problem.
Know the Cents Threshold for In-Tune Perception
Most listeners with no formal training detect pitch discrepancy at approximately 25 to 30 cents. Trained musicians typically perceive differences at 5 to 10 cents. Professional recording and broadcasting standards consider within 5 cents as in tune. When using Hz-to-note mode, a cents deviation of 0 to 5 cents requires no correction; 5 to 15 cents is borderline and context-dependent; anything above 20 cents is audibly out of tune to trained ears. This is why the cents display uses green for in tune, blue for flat, and amber for sharp.
Wavelength Tells You Why Room Acoustics Behave Strangely at Low Frequencies
The wavelength of C1 (32.7 Hz) is approximately 10.5 meters. A standard US recording room that is 5 meters long has a first-mode resonance at 34.3 Hz (the room’s length equals half the wavelength). This means the room will emphasize and color bass notes near that frequency, creating a false impression of bass content that disappears on other playback systems. Knowing that a problem bass note at E1 (41.2 Hz) has a wavelength of 8.3 meters helps you understand why bass treatment in a 4-meter room is so difficult: you are trying to absorb a wave that is twice the room’s length.
MIDI Note Numbers Are the Universal Language Between Hardware and Software
Every DAW, synthesizer, drum machine, and MIDI controller in the US music industry uses the same MIDI note number system: C-1 = 0, A4 = 69, with Middle C at either C3 (MIDI 60, Yamaha convention) or C4 (MIDI 60, Roland/most software convention). The MIDI number shown in this calculator follows the scientific pitch notation (C4 = Middle C = 60) used by Ableton Live, Pro Tools, Logic Pro, FL Studio, and Reason. When a client sends you MIDI files to program, knowing that MIDI 69 is A4 at 440 Hz lets you verify that every oscillator and sampler is playing the correct pitch.
Use the Play Button as a Free Reference Tone Generator for Tuning
The Web Audio API tone generator in this calculator produces a mathematically exact pure sine wave at the calculated frequency. Unlike recorded tuning forks or pitch pipes, this tone is not affected by recording conditions, microphone frequency response, or compression artifacts. For tuning a guitar or bass by ear, look up the open string note (E2, A2, D3, G3, B3, E4 for standard tuning), click Play, and tune the string to match. The sine wave’s absence of overtones makes pitch matching easier than tuning to a recorded instrument tone.
Orchestra A442 and A443 Affect Every Note in the Scale
When working with orchestral recordings tuned above A440 (as many US orchestras do, particularly the New York Philharmonic and Los Angeles Philharmonic which have historically tuned at 441-442 Hz), every note in the ensemble is shifted by the same logarithmic ratio. At A442, A4 is 2 Hz higher than standard, but C4 (Middle C) is only 1.19 Hz higher, and C1 is only 0.15 Hz higher. This is why string quartets and piano-violin duos always verify tuning at the beginning of each session: the same 2 Hz difference at A4 produces a different Hz offset at every other pitch in the scale.
Note Frequency Quick Reference: One Octave of C4 to B4 at Multiple Tuning Standards
| Note | MIDI | A4=432 Hz | A4=440 Hz | A4=442 Hz | A4=443 Hz | Wavelength (440) | Period (440) |
|---|---|---|---|---|---|---|---|
| C4 (Middle C) | 60 | 256.87 Hz | 261.63 Hz | 262.63 Hz | 263.13 Hz | 1.311 m | 3.822 ms |
| C#4 / Db4 | 61 | 272.14 Hz | 277.18 Hz | 278.25 Hz | 278.78 Hz | 1.238 m | 3.609 ms |
| D4 | 62 | 288.33 Hz | 293.66 Hz | 294.80 Hz | 295.37 Hz | 1.168 m | 3.405 ms |
| D#4 / Eb4 | 63 | 305.47 Hz | 311.13 Hz | 312.34 Hz | 312.95 Hz | 1.103 m | 3.213 ms |
| E4 | 64 | 323.63 Hz | 329.63 Hz | 330.91 Hz | 331.55 Hz | 1.041 m | 3.033 ms |
| F4 | 65 | 342.88 Hz | 349.23 Hz | 350.59 Hz | 351.27 Hz | 0.983 m | 2.863 ms |
| F#4 / Gb4 | 66 | 363.27 Hz | 369.99 Hz | 371.44 Hz | 372.16 Hz | 0.927 m | 2.703 ms |
| G4 | 67 | 384.87 Hz | 392.00 Hz | 393.54 Hz | 394.31 Hz | 0.875 m | 2.551 ms |
| G#4 / Ab4 | 68 | 407.75 Hz | 415.30 Hz | 416.95 Hz | 417.78 Hz | 0.826 m | 2.408 ms |
| A4 | 69 | 432.00 Hz | 440.00 Hz | 442.00 Hz | 443.00 Hz | 0.780 m | 2.273 ms |
| A#4 / Bb4 | 70 | 457.69 Hz | 466.16 Hz | 468.28 Hz | 469.34 Hz | 0.736 m | 2.145 ms |
| B4 | 71 | 484.90 Hz | 493.88 Hz | 496.12 Hz | 497.24 Hz | 0.695 m | 2.025 ms |
Frequently Asked Questions About Note Frequencies and the Equal Temperament System
Middle C (C4) is exactly 261.626 Hz in standard A440 equal temperament. It is MIDI note number 60 and sits at the center of the standard 88-key piano keyboard. Its wavelength at 20°C is approximately 1.311 meters and its wave period is approximately 3.822 milliseconds. Middle C is the most commonly referenced note in music education, notation, and instrument range descriptions. At A432 tuning, C4 is approximately 256.869 Hz; at A442, it is 262.614 Hz.
A440 was standardized by ISO 16 in 1955 after decades of inconsistency in concert pitch across countries and ensembles. Before standardization, A4 varied from 415 Hz (Baroque period) to over 460 Hz in some 19th-century orchestras. The 440 Hz value was chosen as a practical compromise reflecting the dominant practice in American recording and broadcasting in the mid-20th century. The American National Standards Institute (ANSI) adopted it, and it subsequently became the reference for electronic tuners, piano manufacturing tolerances, and all digital audio software in the United States. The NIST defines the hertz as one cycle per second, which is the unit in which all pitch frequencies are measured.
A cent is one hundredth of a semitone in equal temperament, used to measure very small pitch differences that are too small to describe in note names. One semitone equals 100 cents. Zero cents means the measured frequency is exactly in tune with the nearest note. Positive cents means the frequency is sharp (higher than the target pitch); negative cents means it is flat. Most human listeners detect pitch deviations of around 25 to 30 cents. Trained musicians can typically perceive 5 to 10 cents. Professional recording standards consider a performance within 5 cents of the target pitch as in tune. The formula for cents deviation is: cents = 1200 times log base 2 of (measured frequency divided by nearest note frequency).
In 12-tone equal temperament: f = A4 times 2 raised to the power of (n minus 69) divided by 12, where A4 is your reference frequency (440 Hz standard) and n is the MIDI note number. MIDI note 69 is A4, note 60 is C4 (Middle C), note 12 is C0, note 0 is C-1 (the lowest MIDI note at 8.176 Hz). To reverse-calculate: MIDI note = 12 times log base 2 of (frequency divided by A4) plus 69. The key relationship: every 12 semitones (one octave) exactly doubles the frequency. A3 is 220 Hz, A4 is 440 Hz, A5 is 880 Hz, A6 is 1,760 Hz.
A432 is 8 Hz lower than A440 at the reference pitch, which corresponds to a deviation of approximately 31.77 cents (about one third of a semitone flat). At C4 (Middle C), the difference is approximately 4.76 Hz. Proponents of 432 Hz claim it sounds warmer or more natural, but these claims are subjective and not supported by peer-reviewed acoustics research. The primary practical use of 432 Hz in US music is for artists who specifically want their music tuned to this reference for aesthetic or philosophical reasons. Some orchestras tuned to historical Baroque pitch use A415, which is a full semitone below A440. This calculator provides both A432 and A440 options for accurate conversions under either system.
For standard EADGBE guitar tuning: look up E2 (82.407 Hz), A2 (110.000 Hz), D3 (146.832 Hz), G3 (196.000 Hz), B3 (246.942 Hz), and E4 (329.628 Hz). Select each note in the calculator and click Play to hear the reference tone. Pluck the corresponding string and tune it to match. The sine wave tone in this calculator has no overtones, making it easier to match pitch by ear than a recorded guitar or piano. For drop D tuning, retune the low E string to D2 (73.416 Hz). For open G tuning (DGDGBD), look up D2, G2, D3, G3, B3, D4 in the table.
MIDI (Musical Instrument Digital Interface) is the protocol that connects digital instruments, DAWs, and hardware samplers. In MIDI, each pitch is represented by an integer from 0 to 127. MIDI note 69 is A4 = 440 Hz. MIDI note 60 is C4 (Middle C) = 261.626 Hz. Each increment of 1 in MIDI note number equals one semitone, and every 12 MIDI numbers equals one octave (frequency doubles). The conversion formula is: Hz = A4 times 2 to the power of (MIDI minus 69) divided by 12. Most DAWs including Ableton Live, Logic Pro X, Pro Tools, and FL Studio use this standard (called “scientific pitch notation”), where Middle C is C4 at MIDI 60.
Wavelength is the physical length of one complete sound wave cycle in air. At C1 (32.703 Hz), the wavelength is 10.49 meters: longer than most recording rooms. When a room dimension equals half the wavelength of a bass frequency, that frequency resonates in the room, creating a “room mode” that causes the frequency to be unnaturally loud at specific positions and inaudible at others. This is why bass in a poorly treated room sounds great at one spot (a resonance peak) and disappears a meter away (a null). Knowing the wavelength of the problem frequency helps you calculate the room mode and place bass traps in the appropriate corners. At 1 kHz (approximately B5), the wavelength is 34 centimeters: easier to treat.
A standard 88-key piano spans from A0 (27.500 Hz) at the lowest key to C8 (4,186.009 Hz) at the highest. This covers seven and a quarter octaves. The A0 lowest note approaches the lower limit of most people’s pitch perception (pure tones below approximately 20 to 30 Hz are more felt as vibration than heard as pitch). The C8 highest note is well within normal hearing range but is rarely used in standard piano literature. Extended pianos with 97 keys (such as those made by Bösendorfer) extend lower to F0 (21.827 Hz). The full harmonic content of a piano note extends well above these fundamentals, reaching several octaves of overtones that contribute to the piano’s characteristic timbre.
Many US professional orchestras tune above the ISO 16 standard of A440. Common practice: the New York Philharmonic has historically used approximately A442, as has the Los Angeles Philharmonic. Some European orchestras (Berlin Philharmonic, Vienna Philharmonic) have tuned as high as A444-445 Hz at certain periods. The reason is psychoacoustic: slightly higher pitch tends to sound brighter and more intense in large concert halls. The downside is incompatibility with organs (fixed-pitch instruments that cannot be retuned for a performance) and difficulty when collaborating with ensembles that use different references. The A442 and A443 options in this calculator allow you to calculate exact frequencies for these alternate standards.
At A4 = 432 Hz, Middle C (C4) has a frequency of approximately 256.869 Hz. This is calculated using the same formula: C4 is 9 semitones below A4 (MIDI 60 versus MIDI 69), so: f = 432 times 2 to the power of (60 minus 69) divided by 12 = 432 times 2 to the power of negative 0.75 = 432 times 0.59460 = 256.869 Hz. Interestingly, some 432 Hz proponents note that C4 at 432 tuning is approximately 256 Hz, which is a power of 2 (2 to the power of 8). This is numerologically interesting but acoustically irrelevant: equal temperament frequencies are irrational numbers at any reference pitch, and 256 Hz is only an approximation. Select A4=432 in this calculator to see all 120 notes at 432 Hz tuning.
Yes. The MIDI note number in the results panel maps directly to every major DAW and synthesizer: Ableton Live, Logic Pro X, Pro Tools, FL Studio, Reason, Cubase, and hardware synthesizers from Moog, Korg, Roland, Yamaha, and others. The Hz value maps to oscillator frequency settings in modular synthesizers (Eurorack), standalone synth editors, and sample editors where you need to specify a root note frequency rather than a note name. The wavelength value is useful when designing reverb tails and delay times: a reverb room size in meters relates directly to the wavelength of the notes being processed, affecting which frequencies resonate in the simulated space.
Human pitch perception begins to break down below approximately 20 to 30 Hz. Pure tones below 20 Hz (infrasound) are felt as vibration rather than heard as a pitched note. Most people can identify the pitch of notes from about E0 (20.602 Hz) upward, though this varies significantly by individual. The sub-bass range used in electronic music production (20 to 60 Hz, covering C0 to B2) is perceived partly as pitch and partly as physical body sensation. At 16 Hz (C0 in this table), virtually no one perceives a distinct pitch, though the vibration is physically noticeable. This is why organ pipes and synthesizers that produce notes below about 30 Hz are typically combined with octave-up overtones to create perceived pitch at the intended note.
In 12-tone equal temperament, C# and Db are two different names for exactly the same pitch, at exactly the same frequency. This is unique to equal temperament: in just intonation and many historical tuning systems, C# and Db were distinct pitches with slightly different frequencies, related to their different mathematical relationships in the key system. Equal temperament eliminated this distinction by making all 12 semitones exactly equal, which is why every keyboard instrument can play in all 12 keys without retuning. The choice between sharp and flat notation is a matter of musical context (C# makes more sense in the key of A major; Db makes more sense in the key of Bb minor) but the actual acoustic frequency played on a piano, guitar, or synthesizer is identical.
Yes, the Web Audio API tone generator works on iPhone (Safari and Chrome), Android (Chrome and Firefox), and all major mobile browsers. The sine wave plays directly through the device speaker or connected headphones without any audio file download. Some mobile browsers (particularly Safari on iOS) require the tone to be triggered by a user gesture (a tap or click), which is why the Play button must be pressed rather than the tone playing automatically. The tone duration is approximately 1.7 seconds with a short fade-in and exponential decay, mimicking the natural decay of a plucked string rather than an abrupt stop that can be startling at higher frequencies.
Yes. After calculating, click PDF Report to download a branded report that includes the selected note’s frequency, MIDI number, wavelength, and period; the full 12-note table for the current octave at your selected A4 reference; a set of key reference frequencies (A4, Middle C, all octave As, the piano range endpoints); and the complete US instrument frequency ranges. The WhatsApp share button sends a formatted text message with the note, frequency, MIDI number, wavelength, and a link to this tool. Both features are completely free and require no account or registration.
Related Music Calculators for US Musicians, Producers, and Engineers
Legal Disclaimer and Editorial Transparency: All frequency calculations use the 12-tone equal temperament formula f = A4 times 2 to the power of (MIDI minus 69) divided by 12, where A4 is the user-selected reference frequency (default 440 Hz per ISO 16). Frequency values are calculated to four decimal places using JavaScript floating-point arithmetic. Wavelength is calculated at 343.0 m/s (speed of sound at 20°C / 68°F); actual wavelength varies with air temperature and humidity. MIDI note numbers follow scientific pitch notation (C4 = Middle C = MIDI 60) as used in Ableton Live, Logic Pro, Pro Tools, and most US DAW software. Some hardware synthesizers (notably Yamaha) use an octave numbering one step lower (their C5 = this calculator’s C4). A440 (ISO 16) is the international concert pitch standard. Claims about perceptual benefits of 432 Hz are subjective and not supported by peer-reviewed acoustics research. Content reviewed 2026.